Title Photo Credit: Jennifer Mishra, University of Missouri St. Louis

What is about Level III?

Congratulations! You have completed two levels of Orff training! It is time to start thinking about Level III!  Don’t be frightened, you will love every minute.  But wait, you may ask! Are you ready to take the plunge? Is Level III too hard? Will I be able to understand all of those new ideas when I am just beginning to figure out what I learned in Levels I and II. Yes you are ready! For most, Level III brings together many ideas and skills you have experience sin previous classes. You have had the fun experience of Level I with drone/borduns, ostinati, speech pieces and the like. You have explored meters and modes in Level II while reviewing and deepening your understanding of Orff pedagogy. It is time to put it together….or at least continue the journey.

About Level III

To many who have taken it, Level three is all about musicianship challenges and putting all of the elements of Orff pedagogy and media together to build a deeper understanding of the Schulwerk. Most of my students have said that they finally are connecting ideas together in level III that they hadn’t had the chance to do before. They see the progression from duple meter to triple to odd and changing meters. They see the progression from elemental bordun/drone arrangements to shifting harmonies and then to I-IV-V harmonies. They are asked to analyze and demonstrate the teaching models they have seen by their mentors for level I and II. Pedagogy is an important part of Level III. You will have at least one practicum where you will demonstrate some of the teaching/process skills you’ve learned and experienced in class. In movement and basic/pedagogy, you will probably be teaching your peers as well applying the skills and models you have experienced in your level training. Your movement experiences will deepen your appreciation of the importance, value and potential of movement education. Recorder classes will also extend your skills, repertoire, and pedagogical understanding through the Orff lens.

Time Commitment

By now you should know that a two-week Level course demands your full attention. Level III has a chance for you to really explore all of the concepts you touched on in other courses.  You need time to reflect but also to learn many new skills. There are assignments for arrangements, rhythm pieces and the like and each experience leads to a deeper appreciation and understanding of the Orff process. As with other Level course, you will have 60 hours to sing, dance, play and grow. Three of those hours will be in “Basic/Pedagogy” where you will hone your skills in arranging and pedagogy.  The rest of the day is divided between recorder and movement training with special topics at the end of the day on certain days. You will review and get better on your recorders and play more advanced pieces (practice your F-pipe fingerings!).

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Don’t be shy. You’ll be fine. It is certainly possible to give yourself a break between each level or to do them in sequence over three summers. Some people will even retake a level just to be sure that they fully grasped the content of levels I and II before they take the plunge into Level III. It is equally common for people to most from one level to the next. If you have completed your other levels, don’t worry, you will start with a review of what you experienced in other summer courses.  Even if you have waited a few years between levels courses, Level III instructors know that review is always a good thing. If you have studied with one instructor, you will learn new tricks and models of teaching from your Level III instructors.

New Materials

Depending on your Level II experience, you will have some degree of training in the modes and meters. This is reviewed along with everything you experienced in Level I when you were just starting your Orff journey. Among the most exciting things you will explore in Level III will be elemental writing using I-IV-V harmony! All of those songs and pieces you have been dying to arrange are a core part of the Level III curriculum. In addition, depending on the instructor, you will probably have time to explore all five volumes of the Orff Schulwerk and all of the great pieces and processes that those volumes offer to the Orff teacher.  You will delve more deeply in the modes, meters, and more advanced pieces and concepts in the Schulwerk.

What to Pack?

As with every Orff course, you should now know that coming with an open mind and a spirit of music adventure are central to any Orff experience. You will have many new assignments and challenges. Plan on a full two weeks. Bring all of your recorders (practice your F-fingerings!). I often tell people to have a good support system for the two weeks so you can devote your time and energy to your studies.  You will be working on harder recorder pieces and process. You will explore more advanced movement concepts (so be ready to move every day). You will be teaching your peers. You will have fun composing and arranging in the elemental style every day or so.

The most important thing to look forward to is exploring Orff Schulwerk with new colleagues who are equally passionate about being great teachers. That is perhaps the most anyone could hope for… being part of the Orff community of like-minded educators all searching to find ways of being active music makers and teachers.

Title Photo Credit: Jennifer Mishra, University of Missouri St. Louis

You’ve taken level I and you might be wondering “should I take level II?”  Maybe you teach a population of mostly younger students.  Maybe you are still working to process your level I materials and experiences.  Maybe it has been years since you took level I.  Here are some reasons to consider continuing your journey through the Schulwerk regardless of your situation. 

Taking all three levels of Orff provides a more complete understanding of what Orff Schulwerk is.  This understanding will help you prioritize your lesson planning, advocate for your program, and teach with a deeper knowledge of what and how you are teaching.  Level II is a sometimes magical, sometimes overwhelming two weeks.  In level II you will review level I practices and content to refresh what you have already learned and set you up for the many new things you will learn and do.  You may recall a time in your classroom when you tried a lesson from your level I class that may not have gone as beautifully as you expected.  Level II dives into the process of how to get from point A to point B.  The practical pedagogy becomes more of a focus. You will notice and experience common techniques used by your instructors and recall experiencing those same techniques with your level I teachers.  You may be asked to lead a short warm-up, teach a small group of your classmates a short lesson, pair up with a classmate to teach the class a sample lesson, or design a lesson for your own students. 

Level II content builds on the Level I content.  It is rewarding to move beyond the call, chant, and pentatonic scales into half steps, diatonic modes, and triads.  Meters and rhythms become more complex yet seem possible to use with children through the elemental style of teaching and learning that happens in Orff Schulwerk.  Level II content requires a deeper understanding of basic music theory principals.  If this is an area that worries you, brush up on some of the terminology and listen to the Music for Children recordings.  Expect that there will be some assignments in your level II class arranging, composing, and improvising with this new material.  

One of the biggest benefits of taking level II is growing as a student, teacher, mover, and musician.  You may hear one of your teachers say, “for your students…” but they also may say, “this activity is for you.”  Because of the intensity of working with the same people for two weeks, every day, 7 hours a day, Level II students often bond and make connections in ways they never thought of with people they might not have otherwise.  It can be really special if you are able to stick with your same cohort from Level I to Level II to Level III.

In general, the benefit of taking Level II is that you will get better at everything you experienced in level I.  You will give yourself the opportunity to learn, observe, and practice for two uninterrupted weeks.  Orff Schulwerk teaching takes time, practice, and reflection.  Level II will allow you to see more opportunities in your own teaching and to become more fluent in your process. You will gain familiarity with materials (original source, music from other countries, cultures, in other languages, and others). You will leave with a greater competency to compose and arrange music for your students.  You will become better at analysis, allowing you to more easily recognize high quality pieces and to “break down” music for your students.  You will observe different teachers work in their unique Orff way.  You become a better teacher after having been a student again and will have a greater understanding of your own students when you return to your classroom. 

So, you’ve decided to go ahead and take level II. Congratulations! Here are some things to think about before jumping back in and what to expect and some ways to prepare. 

Reviewing your level I experience is a great first step to get ready for level II.  Look at your notes and refresh your memory regarding the vocabulary, theory, and teaching techniques. 

The structure of the day will be similar to level I, most of your day with a basic or ensemble teacher, an hour and fifteen minutes each with a recorder teacher, a movement teacher and some time dedicated to special topics.  Some days you may join with the other levels students in your course.  You can safely assume there will be ensemble, small group, partner and/or individual projects and exercises. Sing, say, dance, play, and create: you will continue to do these things in all classes.  

Be prepared for a higher level of expectation of your technique, risk-taking, and artistry. Take a good look at and listen to your technique and tone on barred instruments, drums, and recorders.  Review elemental forms that might inform your improvisations.  Improvisation opportunities will be plentiful using all media and will incorporate content introduced in level II.  It is likely you will feel more comfortable in one area than another.  Trust yourself and trust that your instructors will provide a safe space for you and your classmates to give things a try.  Remind yourself that every person comes to the group with different strengths and that your goal is to improve your skills and contribute what you can to the class. 

Expect to have homework and expect to practice in the evenings.  You may be asked to lead the class or a small group in a short vocal warm-up or rhythmic exercise.  Level II students often prepare potential lesson plans or teach a sort practicum lesson. 

Brush up on music theory.  In level II the pentatonic scales pave the way for the full diatonic scale. With more notes come more possibilities and more terminology: modes, triads, scales, harmonic progression, cadences, transposed, parallel fifths and parallel octaves. Listen to modal pieces found in the Music for Children Orff recordings to get that elemental sound in your ear. Listen to pieces in different meters: 2, 3, 4, 5, 6, 7, and more! 

Pick up a recorder. Be prepared to play both soprano AND alto recorder.  Even if recorder is not your strength, familiarize yourself with the patterns of fingerings used most often on the soprano recorder.  Get a feel of different sizes of the recorders. (Believe me, if I can do it – you can do it!) The higher the quality your instrument, the better the sound you produce.  Consider upgrading your freebie, two-piece, pink or blue recorder.  There are plenty of affordable choices that produce a higher quality sound with greater ease. 

Prepare your body for lots of movement.  From sitting on the floor, moving instruments, folk dancing and creative movement your body will be active. Take a yoga class, go contra dancing, incorporate some stretches into your daily routine.  Drink lots of water, eat nourishing foods, and get some sleep. 

Everyone has a different reaction from their experience in level II.  For me, level II was the point at which I discovered how much I loved this work.  It is also the point at which I realized how much I did not know how to do the work and that the only way to improve was to keep learning and trying things back in my classroom.  The Schulwerk can be exhilarating, overwhelming, emotional, beautiful and stressful.  This work can be extremely satisfying and fulfilling personally, professionally, and artistically.  I encourage you to take the next step in your Orff journey by taking Level II. 

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