Judith Thompson-Barthwell - Teaching With Orff https://teachingwithorff.com An Online Oasis for Movement & Music Educators Wed, 16 Nov 2016 15:09:58 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://teachingwithorff.com/wp-content/uploads/2021/01/cropped-Teaching-With-Orff-logo-BWR-4-32x32.png Judith Thompson-Barthwell - Teaching With Orff https://teachingwithorff.com 32 32 Why Creative Movement in Music Class? https://teachingwithorff.com/why-creative-movement/ https://teachingwithorff.com/why-creative-movement/#comments Thu, 13 Oct 2016 01:40:14 +0000 https://teachingwithorff.com/?p=1544 Why Creative Movement in Music Class? Last week we shared how to begin using creative movement with your students. This week Judith Thompson-Barthwell shares why including creative movement is an important part of an Orff-Inspired curriculum. Creativity does not occur in a void! Teach directive lessons to give specific material for exploration Let students experiment with…

The post Why Creative Movement in Music Class? first appeared on Teaching With Orff.

]]>
Why Creative Movement in Music Class?

Last week we shared how to begin using creative movement with your students. This week Judith Thompson-Barthwell shares why including creative movement is an important part of an Orff-Inspired curriculum.

Creativity does not occur in a void!

  • Teach directive lessons to give specific material for exploration
  • Let students experiment with what they know while the teacher facilitates their creativity

Levels of Creativity

  • “Windows of opportunity” – within a teacher directed activity, there are little windows where the teacher offers the students a choice (from two to as many as the class can handle)
  • Guided Exploration – Teacher is the spokesperson offering clear suggestions during an exploratory activity.
  • Improvisation – Students experiment with known concepts. Teacher offers guidance and facilitates as necessary.

What is it good for?

  • Introduction – Through creative movement, introduce a step or figure of a dance in various ways before it is attached to the actual traditional dance.
  • Understanding – Movement is a great way to see if your instruction is actually penetrating toward understanding. Are students regurgitating what you want to hear/see or have they understood the concept and interpreted in their own way?
  • Practice – Creative movement can allow students a chance to practice a skill or concept at their own pace.
  • Ownership – When students have the opportunity to show their own way of understanding a concept, they begin to own and be prideful of their learning.
  • Affirmation – Through creative movement, each child can be good at something. It is a way to acknowledge and affirm individual uniqueness.

Movement is how most children respond to music

  • Plan for meaningful, creative ways of how children can respond to the music in your classroom
  • Creative movement gives children more awareness of the possibilities of their bodies
  • Being more aware of their bodies leads to making movement more musical
  • Learning comes through engaging as many senses as possible. Creative movement should not be ignored as a mode of learning

Movement is how we learn

  • Movement/dance is worthy of attention by itself because it is an important art, just as music.
  • We learn by moving toward what we want.
  • We succeed by creating our own path and moving along it.
  • Creative movement exemplifies the bigger picture of life.

Creative Movement makes aural sound more concrete

  • Beat /Rhythm/Meter
  • Contour of melody
  • Harmonic changes
  • Energy/Force/Quality/Dynamics
  • Form

Creative Movement aligns with National Standards

Performing

  • Analyze: Analyze how the content of varied musical works inform the response.
  • Enduring Understanding: Response to music is informed by analyzing content (social, cultural, and historical) and how creators and performers manipulate the elements of music.
  • Essential Question: How does understanding the structure and context of music inform a response?

Connecting

  • Connect #11: Relate musical ideas and works with varied context to deepen understanding.
  • Enduring Understanding: Understanding connections to varied contexts and daily life enhances musicians’ creating, performing and responding.
  • Essential Question: How do other arts, disciplines, contexts, and daily life inform creating, performing and responding to music?

The post Why Creative Movement in Music Class? first appeared on Teaching With Orff.

]]>
https://teachingwithorff.com/why-creative-movement/feed/ 3