Comments on: Making It Work: Structuring Creative Movement https://teachingwithorff.com/structuring-creative-movement/ An Online Oasis for Movement & Music Educators Mon, 31 Oct 2016 19:13:44 +0000 hourly 1 https://wordpress.org/?v=6.6.2 By: Clarissa https://teachingwithorff.com/structuring-creative-movement/#comment-16691 Sat, 08 Oct 2016 21:18:59 +0000 https://teachingwithorff.com/?p=1532#comment-16691 I love using poetry and books. Some books I really enjoy that inspire creative movement are “Nighttime Ninja” and “Piggies in the Pumpkin Patch.”. When introducing creative movement to older children, I usually make it “we’re going to go for a walk” and change it up from there as variations of a walk – very much a pull from a Anne Green Gilbert lesson or a Dalcroze thinking. At least, this is what I do until I feel they are more comfortable with me.

I recently did mirror motions with a new group of 4th graders to some Japanese Gagaku music and talked how slow is better then we applied this style to a Haiku where we chose poses or motions for a word or small group of words. Poses can be a great entry way to think out of the box and then think how we get to the pose. They seemed very comfortable doing this and enjoyed the process.

Lastly, have movement terms and resources on the walls. If students need ideas, allow them to have a place to look for ideas.

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By: LeslieAnne Bird https://teachingwithorff.com/structuring-creative-movement/#comment-16690 Sat, 08 Oct 2016 21:08:42 +0000 https://teachingwithorff.com/?p=1532#comment-16690 In reply to Russell.

Hi Russell, thank you for your kind words. The top of the triangle is where we record the “most important” movement element. It could be an element that I choose, or the class chooses collectively. This will be the main focus or direction of the movement the children create. All of the groups will have this common element. The bottom sections of the triangle are where the children choose additional elements to make their movement creation interesting and unique. For example, in the Keys of Canterbury lesson all groups have the element “shape” at the top. They begin in groups creating shapes. Each group chooses two more elements; a loco motor element to move from shape to shape, and a second to make the end product more visually interesting. Each group selected different elements for the bottom of the triangle to compliment the focus element of “shape”. Hope this helps.

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By: Jennifer L Johnson Fritz https://teachingwithorff.com/structuring-creative-movement/#comment-16684 Thu, 06 Oct 2016 12:30:02 +0000 https://teachingwithorff.com/?p=1532#comment-16684 I’m very much where you are with movement. I still need to find room in my schedule for folk dance. It’s fun and students really seem to like it. I like to start songs that we are going to learn, (specifically concert songs), while in their spaces and moving/listening to them. I find that when they are active and listening, it is much more effective in their attention and retention. Keep moving everyone!!

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By: Russell https://teachingwithorff.com/structuring-creative-movement/#comment-16679 Thu, 06 Oct 2016 00:21:19 +0000 https://teachingwithorff.com/?p=1532#comment-16679 Thank you for your reflections and your clear and interesting process ideas! Could you please describe in more detail how you use the “Movement Triangle” you provided?

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